An Analysis of Code-Mixing and Code-Switching on Livy Renata’s Vlogs on the Youtube Channel

Tantri Kusuma Dwi Inafiah, Meiga Ratih Tirtanawati, Chyntia Heru Woro Prastiwi

Abstract


Penelitian ini bertujuan untuk mengkaji dan menjelaskan banyak aspek dari fenomena linguistically mixed code dan alihcode yang berkaitan dengan vlog YouTube Livy Renata. Livy Renata adalah seorang content creator yang menguasai bahasa Inggris, Indonesia, Mandarin, dan Jepang. Penelitian ini menganalisis fenomena campur kode dan alih kode berdasarkan teori Hoffman dan Poplack. Tiga kategori campur kode diidentifikasi: intra-sentential, intra-leksikal, dan melibatkan perubahan pelafalan. Peralihan kode intra-sentensial, peralihan kode, dan peralihan kode antar-sentensial adalah tiga jenis utama peralihan kode. Data dari dua vlog oleh Livy Renata dianalisis, dan menunjukkan frekuensi campur kode yang lebih tinggi dibandingkan dengan alih kode. Pada vlog pertama, 84,85% data dikategorikan sebagai campur kode, sedangkan 15,15% adalah alih kode. Dalam hal jenis campur kode, campur kode intra-sentensial adalah yang paling sering digunakan, yaitu 84,65% dari data yang dianalisis. Sebaliknya, pada vlog kedua, data yang dikategorikan sebagai campur kode sebanyak 61,90% adalah campur kode, dan 38,10% dikategorikan sebagai jenis alih kode. Penelitian ini memberikan wawasan yang berharga tentang perilaku linguistik yang diamati dalam vlog Livy Renata, Ini menjelaskan kerumitan membalik kode dan pencampuran kode dalam pidato multibahasa.

Kata kunci—campur kode, alih kode, vlog, Livy Renata

 

 

abstract— The purpose of this research is to identify and characterize the several forms of code-switching and sociolinguistic code-mixing that appear in Livy Renata's YouTube vlogs. Fluent in English, Mandarin Chinese, Japanese, and Indonesian, Livy Renata is a content producer. The phenomena of code-mixing and code-switching were examined in this study using hypotheses put out by Hoffman and Poplack. inside sentences, inside words, and when the pronunciation changes were the three types of code mixing that were found. Inter-sentential switching, intra-sentential switching, and tag-switching were the three main categories of code-switching. Results showed that code-mixing was more common than code-switching in two of Livy's vlogs. The majority of the data in the first vlog (84.8%) was code-mixing, with a small percentage (15.15%) classified as code-switching. Of the many forms of code-mixing that were examined, intra-sentential code-mixing accounted for the vast majority (84.65%). Alternatively, in the second video, code-mixing was defined as 61.90% code-nixing and code-switching as 38.10%. The study sheds light on the difficulties of code-mixing and code-switching in multilingual communication, offering useful insights into the linguistic tendencies found in Livy Renata's vlogs.

Keywords— code-mixing, code-switching, vlog, Livy Renata


Keywords


code-mixing, code-switching, vlog, Livy Renata

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References


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